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Split 42-1-F, 2010




By framing a literal point of view in these ‘naturally occurring diptychs’ we can engineer a figurative way of seeing. If we ask why we are compelled to the symmetry of polarity, the static building and fluid sky, or US versus THEM, then we will eventually know unity. The innocuous, aesthetic moment is alternatively a profound solution to our limited understanding of Self. This series of hi-res photographs has been exhibited at Jack Shainman Gallery, The School and other venues. Price includes framing. Edition 1 of 9.

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Archival pigment print, mounted to Dibond, laminated with UV luster transparent film, framed with white painted maple


60.00 x 96.00 x 1.00 in | 152.40 x 243.84 x 2.54 cm

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Charles Cohen Studio

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Charles Cohen Studio

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